You could also see this progression as a G Mixolydian one, and it is, only the one-scale-fits-all approach may leave your solo sounding a little aimless. click here “The Fall” (click on the charts to make bigger)… Continue reading → After about 10 months of work this systematic method is now available for every guitarist who wants to break away from his limitations step by step. By combining more than one approach to soloing, such as chord tone licks, scale sequence runs, blues licks, long notes, short notes, for example, we draw the listener in, and we’ll sound more interesting in the process. Want to see a video? Our final progression for this chord tone soloing guide contains a chord that’s not in the key. Chord Tone Soloing for Bass Guitar teaches you the fundamental approaches to jazz bass soloing. The notes in red are from Bm, the notes in dark blue are from A, and the notes in light blue are from E, but more importantly, they are the new notes that are introduced as each chord changes. 5 “CAGED” Shapes = 5 Pentatonic Shapes. 0000002839 00000 n This book has been very popular, opening the door to melodic soloing for thousands of players. Here, we will provide you with lead sheets, basic chord melodies, chords and single note solos that you can begin applying over some of the most popular standards right away. 0000003859 00000 n 0000046007 00000 n If you can’t, don’t worry – just fill out the repeating notes around the chords in the relevant colors. Decide which is the home chord in the progression (usually the first or last) and choose ONE area of the fretboard to mark it out as we did in red above. In this example, we are in the key of G major/E minor, so our I chord is G major. In November 2013 I started desiging a home study course in which I teach melodic soloing over specific chords (i.e. Pay special attention to any chords that are outside the key. Again, you can play all the notes from the pattern, but bear in mind that you might want to hold back on some to really outline the changes. These kinds of ideas form the basics of chord tone soloing. There are then 5 “chord tone targeting” videos where the chord tones “light up” as the underlying chords change. 0000035936 00000 n Record yourself and listen back to what you played, you might be surprised at how good it sounds, plus this is the quickest way to improve. When we get to the E chord, the only new note is G# – and as we haven’t heard that note yet, its impact is greater; it sounds like your solo is following the chord changes. Chord tone soloing can get really complex, but don’t get bogged down in the theory at this stage; just aim to incorporate some notes from chords in your playing. The progression is the classic Andalusian cadence of Am – G – F – E; the first three chords are in the key of C Major/A Minor, but E is not. I like this concept because it gives you a certain amount of control over what you play and should help you feel much less lost on the fretboard. A looper pedal is a great tool to have on hand for practicing chord tone soloing. 0000001415 00000 n While you can get by without necessarily learning chord tone soloing, the extra dimension it adds to your playing really makes it worthwhile investment of your practice time. 0000006760 00000 n 0000002637 00000 n For example you could play some of it using the C major pentatonic and some using the ideas above. There are many approaches to playing over chord changes and different things work for different players. In this article, I want to show you a simple method that you can implement almost immediately into your playing so that you can start to hit all the right notes in all the right places. Do the same with any other chords (as we did in light blue), just marking any new notes as closely as possible to the other chords. 0000006146 00000 n Try them both to compare sounds and see what you think. This chord progression is a simple I-IV-V in C major, it would also work very well with C major pentatonic scale or C major scale. Mark the next chord (as we did in dark blue), but just the new notes, as closely as possible to the home chord. If guitar soloing was karate, these notes would be your pressure points. Let’s see how it looks on the fretboard. 0000100162 00000 n 0000020833 00000 n Chord tone soloing is one of those things that either eludes guitarists, or they shy away from it in favor of the one-scale-fits-all approach. 0000005828 00000 n You can learn Chord Tone Soloing easily by using the FREE Chord Tone Soloing Course What You Will Learn In This Free Course. document.getElementById("comment").setAttribute( "id", "a24f1aed3556ce63d2dc277c544b8b85" );document.getElementById("be8b20f142").setAttribute( "id", "comment" ); Black Friday thru Cyber Monday - 40% off 40 PDF eBooks! Musically Apply Jazz Bass Arpeggios to the 13 Most Important Chord Progressions in Jazz There are many different bebop chord progressions, but in essence they can be broken down into just thirteen simple structures. Jazz Standards for Jazz Guitar PDF Sheet Music, TABS, Chords and Soloing with Audio Examples Welcome to our archive of some of the most popular jazz standards for jazz guitar! 37 0 obj <> endobj xref 37 39 0000000016 00000 n 0000001076 00000 n 4 New Udemy Guitar Courses Worth Checking Out, The Phrygian Dominant Scale – What To Do With It, Allan Holdsworth Chords – How to Find Them, How to Spice Up the Major Pentatonic Scale, A Simple Way to Think About Guitar Improvisation, How I Use Wayne Krantz’ Improviser’s OS Book. While you can get by without necessarily learning chord tone soloing, the extra dimension it adds to your playing really makes it worthwhile investment of your practice time. Any chord tone can be used to begin a phrase. 0000007511 00000 n There are a couple of other things that you’re learning here; the first is to keep the notes close together on the fretboard so that you’re not jumping all over the place; the second is that you’re bringing more music out of a familiar position on the fretboard – you may recognize Bm Pentatonic in there, and if take the pattern as a whole, it is in fact B Dorian.